Opera Now provides a unique and all-encompassing perspective on the international opera scene through its lively and colourful mix of news, reviews, interviews, travel articles and commentary.

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With our mixture of celebrity interviews, leadership profiles and behind-the-scenes features, you'll appreciate the diversity, passion and dynamism of the people who make opera happen. It is the global platform for opera, reaching out to opera lovers worldwide, but also into the heart of the industry from the grassroots to the glamorous.


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Latest News

Bolshoi music director resigns

21 July 2009, Moscow, Russia

Alexander Vedernikov: no compromises
Alexander Vedernikov: no compromises

After a week of rumours and rumblings, Alexander Vedernikov has officially announced his resignation as music director of the Bolshoi Theatre in Moscow.  

The decision was made following a row with Bolshoi's management which is struggling to keep the once-revered institution alive. Vedernikov is said to be unhappy at the compromises imposed on his artistic planning at the Bolshoi, in the midst of a financial crisis exacerbated by the ongoing and ruinously expensive restauration of the company's historic theatre in Moscow.  

Commenting on his decision which was announced as the Bolshoi is on tour to La Scala Milan, Vedernikov said: 'I have very good memories of the past eight years that I have devoted to Bolshoi Theatre. We made a great deal of effort to take the theatre out of creative crisis...  Unfortunately now I find myself in disagreement with the Bolshoi’s management regarding its future. In this situation I decided that it is better to concentrate my efforts on developing my international career, and this will be more effective from all points of view.'

Meanwhile, there is no end in sight to works at the Bolshoi Theatre. The restoration process, begun in 2005, has already overrun by a year and, amid continuing recriminations, the current talk is of a possible 2011 reopening at best.  

Rufus Wainwright opera

15 July 2009

 

 

To read Opera Now's review of Rufus Wainwright's opera Prima Donna click here

Aix Festival announces future plans

7 July 2009, Aix en Provence, France

Sir Colin Davis
Sir Colin Davis

As the Berlin Philharmonic Orchestra's residency came to an end at this year's Aix-en-Provence Festival, it was announced that from next year, the London Symphony Orchestra under its music director Sir Colin Davis would be newly resident at the festival until 2013. 

In its first year, the LSO will only be giving concerts over one weekend of the Aix-en-Provence festival; but in 2011 the orchestra will play for Natalie Dessay's first Traviata, with Frenchman Louis Langrée taking up the baton, while Sir Colin will conduct an as yet-to-be-announced Mozart opera. 

Will the Berlin Phil be a hard act to follow? Read Francis Carlin's full report from the 2009 Aix-en-Provence festival in our forthcoming September/October issue of Opera Now  


 

 

The truth about Bayreuth's links with Hitler - every nook and cranny to be searched

29 June 2009, Bayreuth, Germany

The past: Hitler with Winifred Wagner
The past: Hitler with Winifred Wagner

The future: Katharina Wagner's new era of openness
The future: Katharina Wagner's new era of openness

Bayreuth’s Nazi past to come under renewed scrutiny

Adolf Hitler’s links to the Bayreuth Festival are to be fully investigated, said Katharina Wagner, the 31-year-old great granddaughter of the composer who took over as the Festival’s co-director last year. Ms Wagner – known for her iconoclastic approach to Bayreuth’s traditions and its identity – made her announcement at a press conference to launch Bayreuth’s current season (opening on 25 July), which includes revivals of the Ring cycle and of Katharina’s own controversial production of Die Meistersinger von Nurnberg.

Bayreuth has struggled to shake off its Nazi associations: Hitler’s friendship with the Wagner family is well documented. He attended the festival every summer and it seems certain that Bayreuth’s ethos in the early 20th century played a part in shaping his personal political ideology. He had a close relationship with Katharina’s British-born grandmother Winifred (excellently recounted in Brigitte Hamann’s book, Winifred Wagner: A Life at the Heart of Hitler's Bayreuth), and the Nazi regime generously supported the Festival at a time when many other areas of Germany’s cultural life were being squeezed.

However some commentators feel that there is little left to unearth about the Hitler’s links to the Wagner family and that Katarina's comments are another indication of her media-savvy approach to running the Festival. Ms Wagner’s gesture certainly has more than a ring of a publicity stunt about it, at a time when Bayreuth is actively seeking sponsors and is opening out its audience base for the first time.

Meanwhile, Katharina’s has insisted that ‘every nook and cranny’ of the festival’s archives will have to be investigated so that Bayreuth can come to terms with a dark chapter in its history. ‘There's a shadow hanging over Bayreuth,’ she said, ‘and I feel a responsibility to try to get some clarity’.

In other related developments, Katharina Wagner has backed an initiative to put plaques in Bayreuth's park which point out that Arno Brekker, the creator of sculptures of Richard and Cosima Wagner, was Hitler's favourite sculptor.

Next year she also plans to host an exhibition on ‘silenced voices’ about the expulsion of Jews from Germany’s opera houses. Richard Wagner’s villa, Haus Wahnfried, where Hitler was a frequent guest, will also establish a permanent exhibition of the festival’s Nazi history.

 

Opera in Nice faces an uncertain future

22 June 2009, Nice, France

Amanda Holloway reports from the Cote d'Azur

A spectacular production of Aida, complete with galloping horses full-size palm trees and tonnes of sand, ended a successful 2008/9 season for the Opéra de Nice. It was a dramatic triumph for the director, Paul-Émile Fourny, and conductor Marco Guidarini produced wonderful performances from soloists, orchestra and large chorus. But prospects for the next season are looking less rosy.

The future of the opera company, and classical music in Nice generally, may be in jeopardy. The Opéra is run directly by the City of Nice, and the Culture Minister has so far failed to renew the contract of General Director Paul-Émile Fourny.

It is rumoured that the City plans to merge the opera orchestra, the Orchestre Philharmonique de Nice, with that of Cannes, creating a 'regional' orchestra and effectively removing the close relationship between orchestra and opera company. Music Director of the Philharmonique, Marco Guidarini, has turned down the chance to lead the newly merged orchestra, although he has applied for the job of artistic director of Nice Opera.

Meanwhile, the opera is unable to announce its 2009/10 season until decisions about its artistic leadership have been resolved.

Opera Now will run a full report from Nice in its September/October issue.


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